91ÖÆƬ³§

English literature pathway core modules:

Renaissance to Revolution: Early Modern Literature

This module will introduce you to literary study at degree level by focusing on the sixteenth and early seventeenth centuries, a period of enormous innovation in English literature. You will study writers such as Christopher Marlowe, Ben Jonson, Philip Sidney, Mary Wroth, John Donne, and Aemelia Lanyer, and you will develop close reading skills by analysing the ways in which these writers used formal and stylistic techniques. You will examine how the literature of the period related to the surrounding culture, society, and politics, and consider the different ways in which texts could be produced, read, and performed.

20 credits

Writing Revolutions: Restoration to Romanticism

'Writing Revolutions: Restoration to Romanticism' starts with the literature of the second half of the seventeenth century (including Marvell and Milton) and moves through to the late eighteenth century (including writers such as Behn, Pope, Heywood, Gray, Equiano, and Burney). Building on the work you completed on 'Renaissance to Revolution: Early Modern Literature', you will continue to think about the relationships between literary texts and the social, cultural and political contexts in which they were produced. You will also explore the evolution of forms and genres through the period.

20 credits

English literature pathway optional modules:

Contemporary Literature

This module introduces you to a diverse range of texts in English (prose, poetry, and film) with a focus on texts published since 2000. Texts will be chosen to provoke thinking and debate on urgent and controversial topics that might include: globalisation and neoliberalism; ecology and animal lives; artificial intelligence and the posthuman; political activism and social justice; migration and displacement; state violence and armed conflict. We will discuss formally and conceptually challenging works, raise ethical and philosophical questions and begin to discover how current critical and theoretical approaches can help us to engage with contemporary texts.

20 credits

Hybrid Forms? Comedy and Tragedy

This module gives you the opportunity to study developments in comedy and tragedy from classical antiquity to the present day. This focus on genre enables you to take a broadly comparative approach, setting, for instance, works of classical antiquity alongside those of the early modern, modern, and contemporary worlds. As such, the module equips you to draw connections between periods studied separately at different points of your degree and between disparate forms, e.g. drama and the novel. Over the course of this module we will consider questions such as: what is genre, and why is it important? How does genre reflect or respond to historical change? Is there any such thing as a 'pure' genre or is hybridization a defining feature of genre itself? We will answer these questions by reading texts by authors such as Angela Carter, Noel Coward, Plautus, Shakespeare, Sophocles, and Michaela Coel.

20 credits

Wonders, Warriors, and Werewolves: Intro to Medieval Literature and Language

This module is of particular interest to anyone who wants to know more about the first c.900 years of English literature and language. We will analyse a wide range of the earliest English literary texts (c. 600-1500), including the oldest known English poem and the first autobiographical work by a woman, covering texts that are well known (e.g. Chaucer's Canterbury Tales) and texts that you will probably never encounter elsewhere. You will look at Old English texts (in translation) and Middle English texts (in translation or in the original with notes and glosses as appropriate).

We will open up discussions around issues that preoccupied the English of the time, from glorious monster-slaying to the first expressions of love and desire, from religious devotion to comedy, from the power of insults to the status of English in a multilingual society. You will investigate medieval English literature in an international context, explore medieval worldviews and how they might differ from modern ones, query what it means when we say something is medieval, and explore some medieval afterlives.

You will be introduced to a variety of techniques and methodologies - literary, linguistic, cultural-historical - to analyse medieval texts and topics in the lectures and seminars; you can engage with these different scholarly approaches in assessments as you prefer. No prior knowledge of Old or Middle English is required; students will be given the opportunity to examine texts in the original language but where necessary translations will be provided. Two additional sessions will be held to help you develop your skills and confidence to read Middle English.

In short, this module aims to give you an overview of early English literature, language, and cultural history (c. 600-1500); to develop your skills and confidence in reading and analysing medieval English texts; to give you the opportunity to engage critically and creatively with both primary and secondary works from perspectives of your choice; and to encourage you to reflect on why and how the medieval is used in modern culture.

20 credits

Reading Theatre and Film

This core module explores the development of theatre and film from 1900 to the present, tracking that journey through a series of canonical and counter-canonical examples from each medium. These two art forms have much that connects them as representational, performance-based and commercial cultural practices, but also much that separates them as human, technical and technological spectacles. The module offers a practical introduction to theatre and film criticism, theory and interpretation that will help to interrogate such medial distinctions as well as their common ground. By means of weekly lectures and seminar-workshops, you will encounter a wide range of plays and films, located in their original historical, ideological and aesthetic contexts but equally considered for their afterlife, relevance and currency today.

20 credits

Foundations in Literary Study: Biblical and Classical Sources in English Literature

The Bible, Greek and Roman mythology, represent some of the central sources for European literary imaginations. In this module you will explore the range of literature indebted to biblical and classical literature, themes, and characters. Featuring a range of lecturers from across the School of English, the module will help you learn to think critically about biblical and classical themes such as divine destruction, love, gender, homecoming, colonialism, nostalgia, and empire, and read a variety of authors, from Amelia Lanyer and Shakespeare to Derek Walcott and Margaret Atwood. When we understand the ways in which biblical and classical writers shaped their narratives, and how creative authors revised, resisted or radicalised their themes, we have several important keys to unlock crucial facets of English literary tradition.

20 credits

Introduction to Creative Writing

The aim of this unit is to help you to develop your expressive and technical skills in writing poetry and prose and to improve your abilities as an editor and critic of your own and other people's writing. You will be guided in the production of new work and encouraged to develop an analytical awareness of both the craft elements and the wider cultural and theoretical contexts of writing. This module explores poetic and prose techniques for creating new poems and narrative techniques for generating some prose work through the critical study of published examples, imaginative exercises, discussion and feedback on your own writing. This exploration will help you develop your own creative work while sharpening critical appreciation of published poetry and modern and contemporary fiction. The course is designed to give you the experience of being workshopped as well as to establish basic creative writing techniques at Level 1 in preparation for the challenges of Creative Writing Level 2 and/or 3.

20 credits

Darwin, Marx, Freud

This course is structured around the writings of Darwin, Marx, Freud. We will consider selections from all three philosophers' writings, such as, for example, Darwin's The Origin of Species; cover key concepts from Marx's work—commodity fetishism; alienation—and investigate Freud's philosophy of the subject through selected readings from his writings. We will dismantle cultural prejudice and engage with, and in, revolutionary thinking. This course will prepare you for modules like Critical and Literary Thought but, most importantly, it will help you become critical, potentially revolutionary, thinkers.

20 credits

English language pathway core modules:

Sounds and Structures of English

This module is an introduction to the subdisciplines of linguistics known as phonetics and phonology (sounds), and morphology, syntax, and semantics (structures). The module is designed to provide you with an understanding of the key concepts and terminology necessary to describe and explain sounds and structures of English, and of other languages. Lectures will cover major topics in the formal descriptions of speech sounds and morpho-syntax. Seminar activities will help equip you with the practical skills necessary to accurately describe and transcribe speech sounds, and to analyse word and sentence structure and meaning. The module serves as an essential basis for more advanced study across linguistic subdisciplines.

20 credits

Style in Language

This module introduces students to stylistic variation in language, exploring the varied ways in which linguistic choices contribute to meaning and effect. We will examine a wide range of different text types, including literary narratives, journalism, advertising, political speeches, poetry and song lyrics, drama and screenplays. We will move beyond basic grammatical analysis to consider the functional, contextual, and generic dimensions of language use. We will apply relevant linguistic concepts and theories to the study of stylistic phenomena including register, sentence structure, deixis, lexical choice, parallelism, narrative structure, transitivity, and metaphor. Students will be equipped with the practical tools necessary to investigate the relationships between style and effect in a rigorous, retrievable, and replicable way, and gain hands-on experience using their analytical, critical, and interpretative skills.

20 credits

English language pathway optional modules:

History of English

What is English? Taking this question as a point of departure, this module introduces students to the exceptionally dynamic linguistic history of English(es). Changing linguistic forms and functions are contextualized within their historical moment, and language external factors such as language contact, imperialism and racism are also discussed as they pertain to periods of English. To be clear: this is not just a module about old forms of language (although there is plenty of that!) - it's about gaining historical linguistic perspective on current Englishes (including related Creoles) and their place within a much bigger story.

20 credits

Early Englishes

This module is of particular interest to anyone who wants to know more about the first 1000 years of English language and literature. Early Englishes works backward over a whole millennium of English, 1600 to 600. Each week's lectures and seminar focus on one century and one text representative of that century (for example, Margery Kempe's Book, Chaucer's Canterbury Tales, and Beowulf). We will use a variety of techniques - literary, linguistic, anthropological, cultural-historical - to analyse each text, thereby opening up discussion of issues that preoccupied the English of the time, from glorious monster-slaying to the first expressions of love and desire, from religious devotion to comedy, from the power of insults to the status of English. We will investigate international influences on English language and literature, explore medieval worldviews and how they might differ from modern ones, and query what it means when we say something is medieval. No prior knowledge of Old or Middle English is necessary; students will be given the opportunity to examine texts in the original language but where necessary translations will be provided.

20 credits

Language and Creativity

Creativity is a core property of human language use. Speakers of English and all other languages can use their knowledge of the language to produce endless utterances that have never been heard before. What's more, listeners can understand these utterances, despite the fact that they are completely new. In this module you will learn about the creative dimensions of human language through a series of practical experiments, writing and rewriting texts and reflecting on what that process teaches us. You don't have to be 'good at creative writing' to do this. The focus isn't on producing wonderful poems and stories but rather on learning about language through creative experimentation - through a process of doing and then thinking about what you've done. We'll look at creative language use in a range of everyday contexts and we'll think about popular forms of writing like comics, journalism, interactive digital narratives, and spoken-word forms like podcasts.

Learning by doing is an important aspect of many jobs, especially the ones that English graduates often go into, and so the experience this module offers will stand you in good stead for later life. The creative properties of language use are also important for the communication of identity and there will be plenty of opportunity to think about this in relation to aspects of identity that are important to you.

By taking this module you will learn more about language by actually using it, a process that is both rewarding and fun.

20 credits

Varieties of English

This module looks at accent and dialect variation in the English language, in the UK and beyond. It will provide you with the tools to analyse and discuss variation in English words, sounds, and grammar. During the module you will collect your own data and learn how to analyse and visualise it. The module will develop your awareness of sociolinguistic aspects of the English language, and the relationship between language variation and change. You will be encouraged to consider your own experiences of language attitudes, language change, and language variation in order to reflect on the extraordinary diversity of the English language today.

20 credits

Linguistic Theory

This module explores how language is structured by examining central issues in linguistic theory, building upon the concepts introduced in EGH105 Sounds of English and EGH106 Structures of English. Students will be instructed in (1) foundational theories and concepts in areas such as phonology, morphology, syntax, and semantics, (2) the linguistic evidence that informs these approaches, (3) the analytical techniques required to apply these theories to language data, and (4) the relevance of such theoretical models for the wider study of language. This inclusive module will develop analytical tools and problem-solving skills in using linguistic theory, training students to think critically to interpret data from any language within theoretical frameworks.

20 credits

Core history modules:

History Workshop

What does it take to be a historian? In this module, you will study the process of historical research, learning discipline-specific methods and essential study and writing skills through close engagement with a historical text (usually a work of narrative non-fiction) linked to your tutor's research interests. You will develop skills in critical reading, historiography, essay writing, bibliographic techniques, and reflection.

The assessment for this module is aimed at giving you a strong foundation in the skills you will need throughout your degree and beyond: critical reading and writing, bibliographic techniques, and the ability to reflect on and articulate your skills as a historian.

20 credits

Thinking Historically

Building upon the foundational skills acquired in the introductory 'History Workshop,' this module will cultivate your ability to critically engage with the past, develop disciplinary awareness, and apply historical thinking. To do so it provides an introduction to the breadth of interests in the school and the way historians have made sense of patterns in historical developments. Moving from the Ancient and Medieval past to the contemporary world, the module shows how 91ÖÆƬ³§ historians approach the periods and places that interest us, whilst provoking you to ponder the issues involved in framing historical questions of your own. In this module, you will explore a recurring set of questions which inform history as a discipline: how and why have historians divided up the past into discrete periods, and with what consequences? How have historians constructed narratives that give shape and meaning to the events of the past? How can we evaluate the truth of historical representations and interpretations? How are they shaped by the availability of sources about past societies, and what determines which sources have survived to the present day? How have relationships of power influenced the sorts of stories that we tell and the voices that we hear from the past, and how do they continue to do so?By the end of the module, you will not only have a strong sense of what it means to see problems through a historical lens, but also a better understanding of the chronological and geographical range of work undertaken by 91ÖÆƬ³§ historians.

20 credits

Optional history modules:

Empire: From the Ancient World to the Middle Ages

Covering the period from the 4th century BC to the 15th century AD, this module invites students to explore the ancient and medieval worlds through the lens of 'empire'. It provides an introduction to ancient and medieval types of empire, their contacts with and legacies to each other, and the connectedness between East and West in this period. Using a wealth of primary evidence and drawing on corresponding historiographical debates, students explore what it meant to live in ancient and medieval empires, what kind of social, cultural and religious encounters they engendered, and whether there was any space for resistance.

20 credits

Common People: Everyday Lives in Modern Britain and Ireland

Who were the 'common people' of modern Britain and Ireland? What was their experience of life? What are their stories, and how are they told? Against a backdrop of vast political and economic changes, this module draws back the curtain on the experience of everyday life in modern Britain and Ireland, asking how ordinary people experienced and understood the transformations happening around them. Moving beyond the traditional focus on elites to the women, working-class men and people of colour who lived in, or migrated to or from, these islands, we will investigate the impacts of the rise and fall of an empire and two world wars on people's lives, and how they responded to, shaped and challenged those impacts. 

At the heart of this module lies the question of how these external forces irrevocably reshaped the culture and society of modern Britain and Ireland. You will learn about changes to the family, welfare, and sexuality in this period, and consider the impact of religion, politics, race, and empire on everyday life. Democracy was forged but could never quite resolve tensions about poverty, inequality and regional division. Empire shaped Britain and Ireland, at its height and at its fall, influencing popular culture and understandings of disability and the body. In an already diverse society, how could minorities carve out their own spaces and identities? From high culture to pop culture, the curation, consumption, and communication of information altered radically over these two centuries, but to what end and with what results?

Above all, this module asks you to consider the experiences of ordinary people in nineteenth- and twentieth-century Britain and Ireland and how diverse these experiences could be. 91ÖÆƬ³§ saw many of these issues first-hand, and provides real, lived case studies in how common people engaged with and understood a world that was changing around them.

20 credits

The 'Disenchantment' of Early Modern Europe, c. 1570-1770

This module explores the fundamental shifts in mental attitudes and public behaviour that occurred in Europe between the age of the Reformation and the age of the Enlightenment. The central focus of the course will be the examination of the supernatural - religious beliefs, but also witchcraft and magic. You will explore the changing ways in which beliefs impinged on people's lives at various social levels. You will also have an opportunity to study the impact on people's world views of such changes as rising literacy, urbanisation, state formation and new discoveries about the natural world. All these will be investigated in the institutional contexts of state and church and the ways in which they sought to channel and mould beliefs and behaviour. This module enables you to understand how the early modern period is distinctive from and links medieval and later modern historical studies.

20 credits

The Long View: an introduction to archaeology

This module traces the development of modern humans through to the modern era. It introduces the wide range of materials and methods that archaeologists use to study the past.  The practical laboratory-based classes and field classes provide experience in the basic identification, investigation and interpretation of archaeological evidence. They are supported by lectures that introduce archaeological methods, theories and worldwide case studies. From field to laboratory using examples from throughout the world, you will learn about how archaeology shapes knowledge about the deep and recent human past.

Through this module students will be introduced to debates on the formation and development of archaeological thought through a world-wide perspective from the Palaeolithic to the present. They will be presented with techniques and ideas used by archaeologists to explore the human record and understand the past. It offers an opportunity to explore and discover the archaeological record through practical engagement, using field and laboratory methods, while also highlighting the importance of selecting analytical techniques appropriate to the question posed and the data available. The module will enable students to develop core skills in decoding and critically understanding literature, observation, recording, analysis and interpreting archaeological evidence.

20 credits

Beyond Borders? A Deep History of the Connected World

We live in a moment where the world is more interconnected than ever before, where big brands dominate global economies and imaginations, TikTok shapes trends across the planet, political rhetoric reverberates across borders, and pandemics and climate change offer threats on a planetary scale. We cannot avoid global thinking, and the impacts of international networks - from media to economies to culture and consumption - are so engrained that we barely even notice them. But how did we get here? How did the world become so intensely interconnected? And why do those processes of entanglement matter?

At a time when the rise of this increasingly global outlook is facing challenges from ethnonationalism and isolationism - from Brexit to Trump and Modi's India - this module will equip you to understand the processes at work in global integration (and isolation), not as a linear narrative of 'progress', but as historically contingent, complex and messy. In this module, we will trace the ways in which these global interconnections developed, from the earliest tentative colonies and the rise of empires, enslavement and extraction. Through the lens of global history, we will see revolutions, liberation, and worldwide conflicts, the modern international order of nation states, waves of decolonisation, and ecological crises.

Through the study of transnational structures, cultures and systems which reach from Asia to Europe and from Africa to the Americas, alongside an understanding of the many peoples of every status who were agents in these exchanges, this module will challenge you to ask: what drives nations and individuals together, or pulls them apart? What makes and breaks cultures, states, and communities? And how did we end up in a place where environment; food systems; national security; human rights; political, religious and racial ideologies; culture and language; war and peace, are all so globally determined and yet so locally rooted.

20 credits

Try a new subject:

The flexible structure of your first year at 91ÖÆƬ³§ means that you also have the chance to experience modules from outside of English and History - you can choose up to 40 credits of modules from a list approved by the Faculty of Arts and Humanities. A final guided module list is made available to new students when you select your modules as part of registration.